It's a little beside the point of the post, but I just want to fly a flag for Nebula: I subscribed solely to get early versions of Jet Lag: The Game, but I'm finding myself watching it more and more! It has many of the channels I would go to YouTube for, but I've also discovered several really good ones that I had never heard of. And it has a similar feel to Kagi, in the sense of "freeing" yourself from the algorithm. It happens so often on YouTube that I see a video recommended but think to myself "if I click this, am I going to get recommendations for terrible stuff for the next month? What does this tell Google about me?". Same thing with all the big streaming services.
With Nebula, no such worry. The homepage and app isn't creepily algorithmically designed to optimize my engagement with the platform, it's just a bunch of high-quality videos and channels that I can watch with no fuss. It's remarkable how nice that feels in 2026. Really highly recommended.
> It happens so often on YouTube that I see a video recommended but think to myself "if I click this, am I going to get recommendations for terrible stuff for the next month?
You can remove videos from your watch history. Or you can open the link in a private/incognito window. Google may still be able to connect it but I don't think it will impact your recommendations that way.
Seconded. My only complaint is the bad buffering on the TV versions of the Nebula app. It starts out so low quality and takes forever to snap to 1080p, with no option to override quality, on symmetrical 2.5GBe.
> The OFL allows the licensed fonts to be used, studied, modified and redistributed freely as long as they are not sold by themselves. The fonts, including any derivative works, can be bundled, embedded, redistributed and/or sold with any software provided that any reserved names are not used by derivative works.
Very nice. I’ve paid for fonts for personal use in the past but I was always nervous about accidentally putting a screenshot or other incidental capture somewhere that might get distributed and violate the license.
It's interesting to see their intent to make an explicit drop-in replacement.
I'm surprised there aren't really high-quality drop-ins for most of the classic "name brand" commercial fonts at this point, built solely out of the commercial motivation. "We could contract out someone to build it for less than we're paying a commercial foundry to license it for N years, and then forever every designer is using BrandCo Sans instead of Futura/Univers/etc so we get the free brand recognition".
The differences are really, really subtle, I'd bet most people (including me) would have a really hard time telling them apart.
I agree with that one person (I can't recall when or where I read this) who said modern typography is getting so frivolous about doing personalised typographic families for startups instead of extending the existing ones to cover more languages and scripts than latin.
But as they say here, "por la plata baila el perro" (something like "a dog would dance for money")
> When Nebula found itself facing exorbitant fees to license the font it relied on for all of its branding, the company decided to find a new font that would work just as well.
It's always interesting to see companies spend time, money, and make a big deal (websites even, apparently) solely for a Sans Serif font. One that, at least on my system, is blocked by uBlock Origin and gets converted into Noto Sans (which should be default, screw your fonts, respect my browser's font please!)
Having your own font is nice and all, but I wish Nebula would spend at least as much time on their subtitle rendering as they've spent on this marketing site... The subtitle rendering on Nebula is worse than what Youtube offers, and Youtube isn't exactly some pinnacle of subtitle rendering either. I'd really expect better from a premium service.
> A versatile, modern, humanist sans-serif with a neutral aesthetic
Good God I am sick to the back teeth of the neutral aesthetic. If you're going to spend all that money, can we have some _opinionated_ typefaces please? Especially against the backdrop of AI making everything look and feel exactly the same everywhere, the last thing anybody needs is another neutral, characterless, soulless typeface.
I posted this comment[1] in the previous discussion. Reposting here, because I don't like slightly-derivative typefaces that are just FontForge tweaks of a typeface that was designed from the ground up, even less if they have given it an entirely new name.
All glyphs are indistinguishable from Source Sans. The 'thin'/'light' weights are kerned further apart (and in my opinion, worse) than in Source Sans.
Given these, why does this typeface deserve a new name? It is Source Sans, full stop.
At least Arial (Helvetica copy) and Segoe UI and Myriad (Frutiger copies) have a handful of distinguishing glyphs.
I have a very hot take—with typefaces, you absolutely get what you pay for. I don't like the vast majority of SIL Open Font Licence type faces, with a handful of exceptions. Most of them have glyphs that are an absolute eyesore, are weighted, sized, hinted, and kerned terribly, don't have any character whatsoever (they're all copies of copies of copies of Helvetica) and don't encode nearly enough glyphs/combining marks in Unicode.
Hint: if I can't type IAST/ISO 15919 without tofu showing up, then the font doesn't have enough Latin glyphs.
The majority of digital fonts are either not hinted at all (which makes them look like crap on low – medium resolution monitors), or appear to be hinted on and for macOS, which doesn't have sub-pixel anti-aliasing, but rather greyscale (i.e. full-pixel) AA. The result looks quite bad on Windows and Linux. It looks bad on macOS in monitors with lower pixel density, too.
I will gladly pay for a well-designed typeface (or by proxy, pay a font database subscription). The effort that designers have to put in to design something new from complete scratch is immense. Designers have to come up with unique glyphs, and then when actually setting up the curves, then have to think about how the typeface will vary along several dimensions: weight, size, display pixel density, print versus display, and so on. It's no wonder that the best fonts cost thousands.
Good fonts that have both character and are immediately legible without being unnecessarily fancy is an extremely fine line to tread and in my opinion only a handful of typefaces have managed to balance all of these through the centuries. Some of my favourites follow.
Sans-serifs include Helvetica, Frutiger, Futura, Myriad, Johnston, Optima, Transport, DIN (and its many variants; my favourite is FF DIN), Ocean Sans, and Segoe UI.
Serifs include Roman-cut (including Trajan), Garamond, Minion, a handful of Didone types, Berkeley Old Style, and Palatino.
- I love the use of Source Sans as the base. One of the few purely good things Adobe has done in the past decade were the Source fonts
- The use of Whitney as a target font is also interesting. I like this font a lot but a lot of nice fonts have annoying properties for web dev (looking at you Frutiger) esp around numbers. I have wasted life years fiddling with tabular number presentation.
tldr: yet another trash font: pipe, capital i, small l are the same line
even the alternative variant inconsistent if i want not readable but designer font: the fancy 'a' and 'g' are in the default set and the tailed 'l' in the variant
With Nebula, no such worry. The homepage and app isn't creepily algorithmically designed to optimize my engagement with the platform, it's just a bunch of high-quality videos and channels that I can watch with no fuss. It's remarkable how nice that feels in 2026. Really highly recommended.
You can remove videos from your watch history. Or you can open the link in a private/incognito window. Google may still be able to connect it but I don't think it will impact your recommendations that way.
> The OFL allows the licensed fonts to be used, studied, modified and redistributed freely as long as they are not sold by themselves. The fonts, including any derivative works, can be bundled, embedded, redistributed and/or sold with any software provided that any reserved names are not used by derivative works.
Very nice. I’ve paid for fonts for personal use in the past but I was always nervous about accidentally putting a screenshot or other incidental capture somewhere that might get distributed and violate the license.
I'm surprised there aren't really high-quality drop-ins for most of the classic "name brand" commercial fonts at this point, built solely out of the commercial motivation. "We could contract out someone to build it for less than we're paying a commercial foundry to license it for N years, and then forever every designer is using BrandCo Sans instead of Futura/Univers/etc so we get the free brand recognition".
I agree with that one person (I can't recall when or where I read this) who said modern typography is getting so frivolous about doing personalised typographic families for startups instead of extending the existing ones to cover more languages and scripts than latin.
But as they say here, "por la plata baila el perro" (something like "a dog would dance for money")
> When Nebula found itself facing exorbitant fees to license the font it relied on for all of its branding, the company decided to find a new font that would work just as well.
EDIT: Now I realize the 30 per year is for a video service.
Previous discussion: https://news.ycombinator.com/item?id=43591225
Good God I am sick to the back teeth of the neutral aesthetic. If you're going to spend all that money, can we have some _opinionated_ typefaces please? Especially against the backdrop of AI making everything look and feel exactly the same everywhere, the last thing anybody needs is another neutral, characterless, soulless typeface.
The rest of us just don't want it to be distracting.
All glyphs are indistinguishable from Source Sans. The 'thin'/'light' weights are kerned further apart (and in my opinion, worse) than in Source Sans. Given these, why does this typeface deserve a new name? It is Source Sans, full stop.
At least Arial (Helvetica copy) and Segoe UI and Myriad (Frutiger copies) have a handful of distinguishing glyphs.
I have a very hot take—with typefaces, you absolutely get what you pay for. I don't like the vast majority of SIL Open Font Licence type faces, with a handful of exceptions. Most of them have glyphs that are an absolute eyesore, are weighted, sized, hinted, and kerned terribly, don't have any character whatsoever (they're all copies of copies of copies of Helvetica) and don't encode nearly enough glyphs/combining marks in Unicode.
Hint: if I can't type IAST/ISO 15919 without tofu showing up, then the font doesn't have enough Latin glyphs.
The majority of digital fonts are either not hinted at all (which makes them look like crap on low – medium resolution monitors), or appear to be hinted on and for macOS, which doesn't have sub-pixel anti-aliasing, but rather greyscale (i.e. full-pixel) AA. The result looks quite bad on Windows and Linux. It looks bad on macOS in monitors with lower pixel density, too.
I will gladly pay for a well-designed typeface (or by proxy, pay a font database subscription). The effort that designers have to put in to design something new from complete scratch is immense. Designers have to come up with unique glyphs, and then when actually setting up the curves, then have to think about how the typeface will vary along several dimensions: weight, size, display pixel density, print versus display, and so on. It's no wonder that the best fonts cost thousands.
Good fonts that have both character and are immediately legible without being unnecessarily fancy is an extremely fine line to tread and in my opinion only a handful of typefaces have managed to balance all of these through the centuries. Some of my favourites follow.
Sans-serifs include Helvetica, Frutiger, Futura, Myriad, Johnston, Optima, Transport, DIN (and its many variants; my favourite is FF DIN), Ocean Sans, and Segoe UI.
Serifs include Roman-cut (including Trajan), Garamond, Minion, a handful of Didone types, Berkeley Old Style, and Palatino.
[1] https://news.ycombinator.com/item?id=43591662
- I love the use of Source Sans as the base. One of the few purely good things Adobe has done in the past decade were the Source fonts
- The use of Whitney as a target font is also interesting. I like this font a lot but a lot of nice fonts have annoying properties for web dev (looking at you Frutiger) esp around numbers. I have wasted life years fiddling with tabular number presentation.
There, is that enough red meat for you, HN? :)
even the alternative variant inconsistent if i want not readable but designer font: the fancy 'a' and 'g' are in the default set and the tailed 'l' in the variant